New York Times - Dance

Is the company’s leadership transition a new era or an administrative reorganization? “It feels like both at the same time,” says the new director.
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Our guide to dance performances happening this weekend and in the week ahead.
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The artist dances with wolves, and hunters, in his new film “Redoubt,” shot in his native Idaho. It’s the most emancipated work of his career.
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Wherein our wellness columnist learns that all she needed was a little choreography from the experts.
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Ms. Lopez Ochoa, a self-described “chameleon” choreographer, is the winner of the 2019 award.
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The movement upended all notions of what the form could be. Today, it’s still shaping how we see the world around us.
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The wife-and-husband team of Sara Mearns and Joshua Bergasse talk about working together on “I Married an Angel” for Encores! Reader, she Lindy Hops.
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Gaspar Noé’s “Climax” is the latest movie to push the ecstatic, frightening qualities of dance into horror. A body holds plenty of space for terror.
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Netta Yerushalmy’s six-part work asks a lot of questions in this New York debut at New York Live Arts.
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The Independent (UK) - Dance

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