New York Times - International Arts

Discovered After 70, Black Artists Find Success, Too, Has Its Price
Once on the margins, older African-American artists are suddenly a hot commodity. They are relishing the attention while dealing with the market’s grueling demands.
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Felicity Huffman: Desperate Housewife, Devoted Parent and Now a Defendant
When the actress was implicated in the college admissions scandal, it stunned people in her acting circles and at the prestigious high school her older daughter attends.
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Anthony Pellicano, Notorious Detective to the Stars, Walks Free From Prison
The Los Angeles private eye spent more than a decade in prison for illegal wiretapping and other crimes in a case that exposed Hollywood’s underbelly.
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Your Ancestors Were Slaves. Who Owns the Photos of Them?
A lawsuit against Harvard over two haunting 1850 photographs stirs debate over how to balance the need to preserve history and the moral claims of descendants.
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Reunion Tour! The Band Is Back! Wait, Who Are These Guys?
Once a band name turns into a brand name, there’s a strong incentive to continue on, even with a lineup that fans might not recognize.
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Playlist: The Playlist: Tame Impala Evolves, and 8 More New Songs
Hear tracks by Lizzo and Missy Elliott, Ibibio Sound Machine, the Last Poets and others.
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A Word With: Cush Jumbo Still Has Hope. And You Should, Too.
She talks about “The Good Fight,” her new baby, the craziness of art replicating life (and vice versa) — and why she still has hope.
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Critic’s Pick: ‘Us’ Review: Jordan Peele’s Creepy Latest Turns a Funhouse Mirror on Us
The director of “Get Out” returns with a horror movie about a family terrorized by weird doubles. A dazzling Lupita Nyong’o heads up the terrific cast.
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Critic’s Pick: Review: Netrebko and Kaufmann Is as Good as Opera Gets
Anna Netrebko and Jonas Kaufmann have come together in London for Verdi’s “La Forza del Destino,” their first staged opera together in 11 years.
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Ivo van Hove Unlocks a Rarely Staged ‘Diary’
His production of Janacek’s “Diary of One Who Disappeared,” little performed even in concert, comes to the Brooklyn Academy of Music on April 4.
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Critic’s Pick: Review: An All-Star Team in the Temptations Musical ‘Ain’t Too Proud’
This shrewdly assembled show, directed by Des McAnuff, considers the interchangeability of a crew of Motown’s finest, though there’s plenty of star shine, too.
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Last Chance: Warhol at the Whitney: Why This One Work Is So Stirring
As the museum’s Andy Warhol retrospective ends its run, Holland Cotter revisits the exhibition through a work that showed the artist shifting gears.
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